Astute LTF reader Stanford Chiou sent me an email the other day after noticing a striking similarity between a popular Grizzly Bear song and a classic Beach Boys song. An excellent observation, Stanford! Thanks for the tip.
So first, listen to Grizzly Bear's "Two Weeks" from their 2009 release, Veckatimist:
Beautiful, haunting multi-part harmonies really define this song, as they rise gorgeously above the quarter-note piano chords, and then seem to soar into their own atmosphere for a moment before coming back down to earth, drawn by the steady rhythm.
That kind of studied, chorale treatment of vocal harmonies in pop music was arguably invented by The Beach Boys' Brian Wilson, as he wrote ever more complex music that allowed the classic surf band to evolve into cutting-edge pop artists. (Paul McCartney once famously said that The Beach Boy's 1966 Pet Sounds was his favorite album, for that very reason.)
That masterful blend of high vocal harmonies, almost madrigal in style, is on its greatest display in The Beach Boys' "God Only Knows" from the aforementioned Pet Sounds:
Much like the Grizzly Bear song, the soaring vocals are bound to earth by the steady quarter notes (in this song played on an organ rather than a piano, but still a clear inspiration.) The transcendent, ethereal quality of the vocals was the clear inspiration for the Grizzly Bear song. To quote AllMusic.com, "The end result is a song that has the orchestral loveliness of a ballad but all the power and forward drive of a good pop tune." I would say the same of Grizzly Bear's "Two Weeks."
So remember, if you like Grizzly Bear, thank The Beach Boys. (And thanks, Stanford!)
Showing posts with label The Beach Boys. Show all posts
Showing posts with label The Beach Boys. Show all posts
Wednesday, December 26, 2012
Saturday, August 30, 2008
I was stranded in the middle of the night
Are you ready to fall in love with a new band?
Yet again I owe a debt to television commercials - this time it was Kenmore Elite that introduced me to the Silver Seas, by using their lovely "Imaginary Girl" in one of their ads. I instantly had to have their first album, High Society.
At times evoking the 70s baroque classic rock-ism of Poco, the intricate surf harmonies of the Beach Boys, the lush-pop wail of Rufus Wainwright and the quirky complexities of Ben Folds Five, this album goes by too quickly and begs for multiple listens. (You know I can't resist a band that makes heavy use of a 12-string guitar.)
Highlights include the unstoppably happy "Country Life," the Wainwright-esque "Imaginary Girl" and the layered harmonies of the sonically perfect "Hard Luck Tom," which, coming in at just 1:51, may be the shortest piece of pop perfection ever recorded. Listen to two of the three on the band's MySpace page.
Or, if you prefer, you can watch the band (formerly known as The Bees) recording "Country Life" in the studio:
Labels:
Ben Folds Five,
Poco,
Rufus Wainwright,
The Beach Boys,
the Bees,
the Silver Seas
Tuesday, June 12, 2007
Inspired by
I was attending Fleetwood Mac shows in utero, so it really shouldn't be a surprise that I am a huge Mac fan to this day.
Browsing around Amazon.com today, I noticed a cool feature on their music pages - Music You Should Hear, as recommended by other famous musicians. Basically, it's an artist's personal list of the music that has influenced them the most.
Fleetwood Mac lead guitarist Lindsey Buckingham is one of the featured artists, and his list is surprisingly eclectic, ranging from Chuck Berry to Eminem, and each selection features a very literate and thoughtful examination of that artist's place in the rock lexicon.
As always when I read a musician's list of favorites, I had more than a few moments of "I thought I was the only one!" The Drifters' "Save the Last Dance for Me," for instance, has always been a favorite of mine, even before I read, via LB, that its author was wheelchair-bound. (How unbelievably heartbreaking?)
After reading a recent Dave Barry column extolling the virtues of garage-rock paragon "Louie Louie," I wasn't surprised to see it make his list. And I am definitely in the camp that thinks that the late Beach Boys are VASTLY underrated, so I couldn't agree more with his assessment of "Surf's Up" as a piece of musical genius.
But the happiest moment for me was seeing my touchstone album, Joni Mitchell's Blue, listed as one of Buckingham's influences: "Joni Mitchell's genius was never more clear to me than on the album Blue," he says.
Other artists to compile lists include Elvis Costello, ">Rufus Wainwright, Patti Labelle , Mavis Staples and Maroon5.
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